Rose Wallpaper Biography
Source(google.com.pk)Rose heart is one of San Antonio's loveliest neighborhoods. Within our gates, trees abound and
flowers bloom. Roseheart is more than a neighborhood of houses; it's a close community.
Privacy is honored here, but neighbors find they quickly become friends.
The clubhouse, pool, and picnic areas present a perfect setting for many community activities,
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At a time when pop was dominated by dance music and pop metal, Guns N' Roses brought raw, ugly rock & roll crashing back into the charts. They were not nice boys; nice boys don't play rock & roll. They were ugly, misogynist, violent; they were also funny, vulnerable, and occasionally sensitive, as their breakthrough hit "Sweet Child O' Mine" showed. While Slash and Izzy Stradlin ferociously spit out dueling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screeched out his tales of sex, drugs, and apathy in the big city; bassist Duff McKagan and drummer Steven Adler were a limber rhythm section that kept the music loose and powerful. Guns N' Roses' music was basic and gritty, with a solid hard, bluesy base; they were dark, sleazy, dirty, and honest everything that good hard rock and heavy metal should be.
Guns N' Roses released their first EP in in 1986, which led to a contract with Geffen; the following year, the band released their debut album, Appetite for Destruction. They started to build a following with their numerous live shows, but the album didn't start selling until almost a year later, when MTV started playing "Sweet Child o' Mine." Soon, the album shot to number one and Guns N' Roses became one of the biggest bands in the world. By the end of 1988, they released G N' R Lies, which paired four new, acoustic-based songs with their first EP.
Guns N' Roses began to work on the follow-up to Appetite at the end of 1990. In October of that year, the band fired Adler, claiming that his drug dependency caused him to play poorly; he was replaced by Matt Sorum from the Cult. During recording, the band added Dizzy Reed on keyboards. By the time the sessions were finished, the new album had become two new albums. After being delayed for nearly a year, the albums, Use Your Illusion I and II, were released in the fall of 1991. The Illusions showcased a more ambitious band; while there were still a fair number of full-throttle guitar rockers, there were stabs at Elton John-style balladry, acoustic blues, horn sections, female backup singers, ten-minute songs with several different sections, and a good number of introspective, soul-searching lyrics. In short, they were now making art; amazingly, they were successful at it.
While the albums sold very well initially, the band soon fell out of favor. Stradlin left the band by the end of 1991 and with his departure the band lost their best songwriter. Once Nirvana's Nevermind hit the top of the charts in early 1992, there was a distinct division between what was cool in hard rock and what wasn't; Guns N' Roses -- with all of their pretensions, impressionistic videos, models, and rock star excesses -- were very uncool. The band didn't fully grasp the change until 1993, when they released their album of punk songs, The Spaghetti Incident?; it received some good reviews, but the band failed to capture the reckless spirit of not only the original versions, but their own Appetite for Destruction. By the middle of 1994, there were rumors flying that the band was about to break up, since Rose wanted to pursue a new, more industrial direction and Slash wanted to stick with their blues-inflected hard rock.
he child of hippies, McGowan was born September 5, 1975, in Florence, Italy, to a French mother and Irish father. The second oldest of six children, McGowan was raised on an Italian commune run by the Children of God cult. The controversial cult was known for panhandling as well as for taking extremely liberal approaches to parenting.
Her family relocated to Oregon when McGowan was ten, and she left the commune at 15, legally emancipating herself from her parents. She supported herself with a variety of odd jobs and even lived on the streets for awhile before traveling to Los Angeles to attend an arts school.
It was there that she was discovered by director Gregg_Araki, who encountered her loitering outside a gym, refusing to go in because it was "too corny." Araki was busy casting his Sundance entry, The_Doom_Generation, and gave her the role of Amy Blue, the film's beautiful, spoiled, and morally ambiguous protagonist.
Prior to her role, McGowan had only appeared as a minor character in 1992's Encino_Man, making her casting in Araki's film all the more fortuitous. The_Doom_Generation was released in 1995, to mixed reviews and a fair amount of controversy, but helped to establish McGowan as, if not Hollywood's Next Big Thing, then Internet fodder for slavering males everywhere.
The film also gave her a greater chance at steady work and she followed The_Doom_Generation with the low-budget thriller Kiss and Tell (1996). Subsequently, she landed a role in another thriller possessing a decidedly bigger budget, Wes_Craven's Scream (1996). The film was a surprise hit and McGowan's turn as a frisky student who has an unfortunate encounter with a garage door further widened her fan base.
After starring in the 1997 TV movie Devil in the Flesh, McGowan appeared in two back-to-back movies with fellow rising star Ben_Affleck. First came her turn as the girl who tries to seduce a very excited Jeremy_Davies in 1997's Going All the Way, followed by her role in the ski slope thriller Phantoms (1998). 1999 saw her take the lead in the independent film Jawbreaker, in which she starred with Rebecca_Gayheart.
As Alpha Bitch Courtney Shane, McGowan excelled in a role that was equal parts vamp, tramp, and camp. During this same period, McGowan began a relationship with gothy shock-rocker Marilyn Manson. The counter-culture pair seemed like a match made in entertainment heaven and she caused quite a stir by accompanying her beau to the 1998 MTV Movie Awards in a dress that consisted of little more than a few strands of black beads draped over her distinctly visible nude body. The two became engaged but eventually broke up over reported lifestyle differences.
In 2001, a new period began in McGowan's career when star Shanen Doherty left the hit WB show Charmed, leaving directors looking for a witchy, raven-haired actress to replace her. McGowan joined costars Alyssa Milano and Holly Marie Combs and found no trouble connecting with the show's fans, staying with the series for five years--two years longer than her predecessor. As the show was wrapping up in 2006.
McGowan signed up for another role that fit perfectly with her screen image. Dark, sexy, and kitschy beyond a shadow of a doubt, the over-the-top flick Grindhouse would pair the actress with directors Quentin Tarantino and Robert Rodriguez, who would each direct a full length film for the double feature. The starlet would have a small but memorable role in Tarantino's Death Proof, but she would have the starring role in Rodriguez's feature Terror Planet as a leg amputee whose appendage is replaced by a big, shiny machine .
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